ART
ARCHITECTURE
& HISTORY
in the Public Realm
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culturenow.org Vol. 2  Issue 3 - March, 2012
SPRING BREAK

It's March. Next Saturday night will usher in Daylight Savings Time. Soon to follow is Spring Break. We will confess that we have probably seen way too many movies of a certain era, but the classic spring break vacation is a jam packed week in Florida fueled by too much alcohol, too little sleep, and a bit too much sun. There are, it turns out, some pretty wonderful public art collections down south that can be a welcome cultural respite from the monotony of nonstop partying. This is but a small (not even representative) sampling of what's out there with a focus on scale, imagery, perception, and transforming common everyday objects into art. What unites them with the work of Claes Oldenberg and Arquitectonica is the underlying theme of spring break which is the intersection between the hermetic setting of the university and the larger world outside.

Savor and enjoy!
Abby Suckle, President
THIS MONTH WE'RE FEATURING SOME OF FLORIDA'S ART COLLECTIONS.

MIAMI-DADE COUNTY ART IN PUBLIC PLACES

With over 650 pieces in the collection (of which only a fraction of the highlights have found their way onto our site), art is everywhere in Miami. Oldenberg's Dropped Bowl with Scattered Slices is made of concrete and weighs in at 124,000 lbs. The lobby floors of Cesar Pelli's 2006 Arsht Center were designed by Miami Artist Jose Bedia.

Dropped Bowl with Scattered Slices Oldenberg, Van Bruggen
Miami-Dade County Art in Public Places (1989)

Lobby Floors & Balcony Railings Jose Bedia
Miami-Dade County Art in Public Places (2006)
JACKSONVILLE'S ART IN PUBLIC PLACES PROGRAM

Jacksonville has a rich collection to choose from making it incredibly hard to select these two pieces that show the range from the glass sculpture hanging in the Library to the woven horse fronting the Jacksonville Equestrian Center.

Sun Salutations (2005) BJ Katz
Jacksonville's Art in Public Places Program

Pine Breeze Dandy (2004) Michael Stutz
Jacksonville's Art in Public Places Program
UNIVERSITY OF SOUTH FLORIDA PUBLIC ART COLLECTION & UNIVERSITY OF FLORIDA ART IN STATE BUILDINGS

What would Spring Break be without a visit to some of Florida's University collections. We couldn't resist the Gators from the University of Florida nor Ned Smyth's installation at the University of South Florida.

Our Shadow (1994) Ned Smyth
University of South Florida Public Art collection

Circuits Signs & Place (2006) Richard Heipp
University of Florida Art in State Buildings
PINELLAS COUNTY ARTS COUNCIL

Visiting St Petersberg or Tampa Bay? A highlight is Douglas Kornfeld's depiction of seating for the defendant and the 12 members of the jury in front of the Courthouse in St Petersburg which reminded us of our last experience on Jury Duty, probably because we would have preferred sitting in the landscape rather than indoors listening to lawyers arguing a case. Leslie Fry's painted plaster sculpture of John is one of six figurines she has hidden along the Nature Trail in the Boca Ciega Millennium Park project.

Face the Jury (2006) Douglas Kornfeld
Pinellas County Arts Council

Wildlife Sculpture Search (2007) Leslie Fry
Pinellas County Arts Council
FEATURED TOUR
2nd ANNUAL HELL'S KITCHEN WALKING TOUR



A Political History of the New York Irish

Date: Sunday, March 18th
Time: 1:30-4:30
Tickets: $12.50

If you happen to be in New York for St Patrick's Day, there could be no better way to celebrate than to join us on our 2nd annual tour across Manhattan from 5th Avenue to Hell's Kitchen. It's great fun to spend an afternoon listening to Historian (and Lawyer) James Kaplan share the political history of the area, including its evolution from the days when the gentleman mobster Owney Madden (believed to be the inspiration for Scott Fitzgerald's Great Gatsby) ran the liquor distribution in the City during Prohibition to the days in the 1950's of turf wars between Irish and Puerto Rican gangs, to the ultimately successful struggle in the 1970's by the community in alliance with the Catholic Church to save the area and the adjacent theater district from the proliferation of pimps, prostitutes and pornographic purveyors. The tour wiill also discuss the close and symbiotic relationship of the Hell's Kitchen community with the theater district.





Interesting Finds
Click here


FEELING GENEROUS?
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Featured Artists: CLAES OLDENBURG

In an issue that talks about perception of common objects and Universities, there is no better artist to highlight than Claes Oldenberg. The Lipstick at Yale in front of Eero Saarinen's Morse College is emblematic of the moment Yale became coed and began admitting women which was juxtaposed with the antiwar movement; similarly the Split Button at Penn sits on a prime location in front of the Library where students are forced to think about the changing role of women in the University.


Lipstick (Ascending) on Caterpillar Tracks, (1974)
Claes Oldenburg, Yale University Art Collection

Split Button (1981) Claes Oldenberg
University of Pennsylvania Art Collection

Featured Architect: ARQUITECTONICA

In the early 80's Arquitectonica burst onto the architectural scene designing some of the most iconic and stylish buildings that quickly became synonymous with the image of that city. The Miami of the Miami Vice era was an edgy, tropical, vibrant place with a very lively party scene. Since then, they have assembled a huge body of work with buildings all over the globe. In Miami two of the latest are the South Miami-Dade Cultural Arts Center with its two lobby artworks by Robert Chambers and the School of International and Public Affairs at Florida International University. Here in New York, they completed an addition to the Bronx Museum of the Arts.

Florida International University School of Int'l & Public Affairs
Miami, Florida photo ©Robin Hill
Bronx Museum of the Arts - Bronx, NY
photo ©Norman McGrath


South Miami-Dade Cultural Center - Miami, Florida photo ©Robin Hill
South Miami- Dade Cultural Center - Miami, Florida
Light Field & Orbital 1 & 2 Robert Chambers
photo ©Robin Hill